I love this simple little shot. Talking, but in two different directions – at cross-purposes, perhaps — not directing any emotion towards the other, in a bedroom with the ambience of a prison cell.
THE BITTER TEARS OF PETRA VON KANT (1972)
I love this simple little shot. Talking, but in two different directions – at cross-purposes, perhaps — not directing any emotion towards the other, in a bedroom with the ambience of a prison cell.