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Tag: folk horror

ELECTRIC EDEN: Unearthing Britain’s Visionary Music, Rob Young

Sharp looked into the roots of the terminology of this strange shadow culture which had survived decades of neglect, he discovered that the first use of the word ‘folklore’ did not occur until 22 August 1846, in a letter to the Athenaeum magazine by one W. J. Thoms.

Finally finished this wonderful book on the flight back from Galway. I’m a sucker for BBC music documentaries, and this scratched exactly the same itch.

It’s the story of British folk music over the last hundred years or so, essentially. Which sounds dry as dust. Except that Young convincingly positions British folk as our visionary music, the true sound of mad Albion. From William Morris and song collector Cecil Sharp, through Vaughn Williams and Peter Warlock, Seeger and McColl, scattering through the explosion of the Sixties and out to the complex obituaries of the Seventies (taking in The Wicker Man and hauntological touchstone The Changes), it’s an absolutely fascinating journey.

Don’t seek the ‘original’ copy, insisted Sharp; focus on the transformations themselves – for they are the substance of the song. He conceded that most songs probably had a sole author in the indistinct past, but unlike in high culture, the ‘original’ is not the authentic prototype; instead, it should be thought of as the equivalent of a composer’s first draft – ‘the source from which it is sprung’.

There are some confusing gaps towards the end – I’m still unsure how you spend so many pages on Talk Talk (the drummer used to live down the road from me when I was a kid) and manage not to address, say, XTC or Billy Bragg. But that’s an entirely personal caveat (if I played Devil’s Advocate I could probably see an argument against including Billy, but I think Mr Young may have missed a trick in not using him to unify and tie up so many of his themes) and doesn’t deserve to be held against an immensely impressive, clever and thoughtful piece of work, superbly researched and very well written. If you have any interest at all in British music, native musics or mad people, then you want a copy of this.

ELECTRIC EDEN, Rob Young (UK) (US+)

originally written March 2011

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MONSTROUS: The Buddha In The Pit

MONSTROUS is a six-part Korean tv show. It concerns the excavation, in a small Korean town, of an ancient statue of the Buddha that has a curse locked inside it. This was of particular interest to me, because it’s a classic English folk horror set-up – digging up something that was buried for a reason and everything goes to shit. It has everything the English version typically has – the archaeologist, the genius expert who sees patterns, the idiot politician, the local young psychopath. Even the “mad monk” – in this case, amusingly, a monk who pissed off the head of his order by doing interviews about supernatural folklore for shitty cable. It is quite European in some of its details – I especially note the painting that weeps blood — although these things could prove to me more international than I’m aware of.

The whole thing is, in fact, structurally and materially very reminiscent of QUATERMASS AND THE PIT. The ending could even be read as a specific reference to that story. As is the release of a curse that reverts the victims back to a state of atavistic, uncontrolled fear, grief and anger. This gives the writers, Yeon Sang-ho and Ryoo Yong-jae, license to have some fun with zombie-like activity in the style of Garth Ennis and Jacen Burrows’ CROSSED (and my own minor work BLACKGAS with Max Fiumara). It does get pleasingly violent, and it is very nicely shot. It occasionally gets a bit too twisty and reversal-happy for its own good, but it is generally well paced — and each episode is about a half-hour long, just like the original QUATERMASS tv series. Six half hour episodes really does make me think they knew what they were about. An impressive fusion.

I watched it on Sky Sci-Fi. Doubtless it’s on cable or streaming somewhere else.

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