Category: STATION IDENT

Here we go again.

This is Warren Ellis LTD, a writer’s digital notebook. I can be found here, at my free weekly newsletter, my identity site and occasionally on Instagram, which I somehow didn’t manage to get rid of. I am represented by the Cheng Caplan Company, Inkwell Management and VanderKloot Law.

I am the New York Times-bestselling author of GUN MACHINE and the Amazon Top 100 2016 author of NORMAL, co-creator of graphic novels including TRANSMETROPOLITAN, PLANETARY, TREES, FREAKANGELS and RED, and the creator, writer and co-producer of CASTLEVANIA on Netflix and THE DEPARTMENT OF MIDNIGHT wherever you get your podcasts.

Being a personal notebook, it combines gathered knowledge with considerations of new culture and information, jottings and observations, fiction experiments and personal statuses and notes. This means it is essentially of no utility to anyone but me, but, if you’re reading this, you’re welcome to read over my shoulder.

Like most notebooks, zibaldones and commonplace books, it resists any attempt to impose a structure, and I’ve largely given up trying. It obeys the shape of a computer channel only insofar as it’s a chronological-feed broadcast from a station that takes unpredictable and abrupt holidays.

It is 2026. Happy new year. Let’s see what happens.

Comments closed

Good morning. This is the week of 27 October 2025.

Comments closed

This is Warren Ellis LTD, a writer’s digital notebook. I can be found here, at my free weekly newsletter, my identity site and occasionally on Instagram, which I somehow didn’t manage to get rid of. I am represented by the Cheng Caplan Company, Inkwell Management and VanderKloot Law.

I am the New York Times-bestselling author of GUN MACHINE and the Amazon Top 100 2016 author of NORMAL, co-creator of graphic novels including TRANSMETROPOLITAN, PLANETARY, TREES, FREAKANGELS and RED, and the creator, writer and co-producer of CASTLEVANIA on Netflix and THE DEPARTMENT OF MIDNIGHT wherever you get your podcasts.

Being a personal notebook, it combines gathered knowledge with considerations of new culture and information, jottings and observations, fiction experiments and personal statuses and notes. This means it is essentially of no utility to anyone but me, but, if you’re reading this, you’re welcome to read over my shoulder.

Like most notebooks, zibaldones and commonplace books, it resists any attempt to impose a structure, and I’ve largely given up trying. It obeys the shape of a computer channel only insofar as it’s a chronological-feed broadcast from a station that takes unpredictable and abrupt holidays.

I took most of June and all of July and August off. Hello again.

Comments closed

Digital notebook. Also free weekly newsletter.

Comments closed

This is Warren Ellis LTD, a writer’s digital notebook. I can be found here, at my free weekly newsletter, my identity site and occasionally on Instagram, which I somehow didn’t manage to get rid of. I am represented by the Cheng Caplan Company, Inkwell Management and VanderKloot Law.

Comments closed

This is Warren Ellis LTD, a writer’s digital notebook. I can be found here, at my free weekly newsletter, my identity site and occasionally on Instagram, which I somehow didn’t manage to get rid of. I am represented by the Cheng Caplan Company, Inkwell Management and VanderKloot Law.

Comments closed

Startup, week of 21 April 2025. This is LTD.

Comments closed

Startup, week of 14 April 2025. This is LTD.

Comments closed

Late-style blogging. I make notes here during the week and broadcast the Orbital Operations newsletter at weekends.

Comments closed

This is warrenellis.ltd, a personal digital notebook by Warren Ellis, New York Times-bestselling author of GUN MACHINE and the Amazon Top 100 2016 author of NORMAL, co-creator of graphic novels including TRANSMETROPOLITAN, PLANETARY, TREES, FREAKANGELS and RED, and the creator, writer and co-producer of CASTLEVANIA on Netflix and THE DEPARTMENT OF MIDNIGHT wherever you get your podcasts.

Being a personal notebook, it combines gathered knowledge with considerations of new culture and information, jottings and observations, fiction experiments and personal statuses and notes. This means it is essentially of no utility to anyone but me, but, if you’re reading this, you’re welcome to read over my shoulder.

Like most notebooks, zibaldones and commonplace books, it resists any attempt to impose a structure, and I’ve largely given up trying. It obeys the shape of a computer channel only insofar as it’s a chronological-feed broadcast from a station that takes unpredictable and abrupt holidays.

In public, I write this journal and a free weekly newsletter, ORBITAL OPERATIONS, which can be subscribed to at https://orbitaloperations.beehiiv.com.

Comments closed