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Category: marks

telemetry 1nov25

On All Hallow’s Eve, Jennifer Lucy Allan turns the cards and listens for what they reveal, tracing sonic lines across the tarot deck. From the ghostly atmospherics of William Basinski’s Wheel of Fortune, to the arcane explorations of early electronic pioneer Ruth White and Swiss krautrock mystic Walter Wegmüller, the spread unfolds in unexpected ways, its order uncertain, its juxtapositions surprising. Expect new sounds from Argentinian artist aylu, whose spiritually-charged album journeys from personal struggle to collective resistance, as well as slow-motion noise conjured by New Zealand’s drone trio Surface of the Earth.

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telemetry 28oct25

I went through a whole issue of THE WIRE last night, tagged everything that looked interesting on Bandcamp, and so far it’s all either digital-only or on fucking cassette tape or vinyl.

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telemetry 27oct25

Unclassified: Resident Shadows

I caught Just Mustard on Jools Holland last night:

Just realised I have two issues of THE WIRE magazine and at least one TLS waiting to be read.4

https://newmodels.substack.com/p/nm-talkcore-kevin-munger-on-spiraling – what’s here is the “preview,” somehow I got the entire episode on my podcast app even though I don’t pay for the full New Models feed…?

If you rede­fine “thinking” to mean “arriving at a solu­tion through an iter­a­tive lin­guistic loop” … yes, that’s what these models do. That def­i­n­i­tion is pretty thin. We talk about humans thinking harder, which is not the same as thinking longer. I think most people know from expe­ri­ence that thinking longer gen­er­ally just makes you anxious. But that’s what the models do, and not only longer, but in parallel, all those step-by-step mono­logues spilling out simultaneously, some­where in the dark of a data center.

The modern smartphone, laden with the corporate ecosystem pulsing underneath its screen, robs us of this feeling, conspires to keep us from “true” fullness. The swiping, the news cycles, the screaming, the idiocy — if anything destroys a muse, it’s this. If anything keeps you locked into a fetid loop of looking, looking, and looking once more at the train wreck, it’s this. I find it impossible to feel fullness, even in the slightest, after having spent just a bit of a day in the thralls of the algorithms.

“Dreams of the Past“, dir. Dmitri Frolov, 2022 (via)

Japan’s space agency successfully launched Sunday its most powerful flagship H3 rocket, carrying a newly developed unmanned cargo spacecraft for its first mission to deliver supplies to the International Space Station.

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telemetry 25oct25

Thank you Zoharum!

Notwithstanding the world being on fire, an ongoing global pandemic vascular disease that is being systematically ignored by governments, Nazis popping out of the woodwork everywhere, actual no-shit fractional trillionaires trying to colonize space in order to secede from the rest of the human species, an ongoing European war that keeps threatening to drag NATO into conflict with the rotting zombie core of the former USSR, and an impending bubble collapse that’s going to make 2000 and 2008 look like storms in a teacup …

I’m calling this the pivotal year of our times, just as 1968 was the pivotal year of the post-1945 system, for a number of reasons.

CHRONOGLYPH, Sougwen Chung. I love that word.

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telemetry 22oct25

Day got held up by an external drive that’s suddenly decided to stop being visible to File Manager or Disk Management, even though I can see it in Device Manager. God forbid I should get through a day without stress.

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telemetry 17oct25

Le Jardin (S4E2)

Murayghat emerged after the decline of the so-called Chalcolithic culture (ca. 4500–3500 BCE), a period known for its domestic settlements, rich symbolic traditions, copper artifacts, and small cultic shrines.

Researchers believe that climate shifts and social disruptions may have led to the collapse of the culture, and in response, Early Bronze Age groups began creating new forms of ritual expression.

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telemetry 11oct25

LATE JUNCTION: At home With Kate Carr

Jennifer Lucy Allan pays a visit to the London studio of field recordist, sound artist and founder of the Flaming Pines label, Kate Carr. As well as taking it in turns to share new music that is exciting them both, Kate demos the current favourites from her array of homemade instruments including a rubber-band noise box set-up and a new contraption that involves twenty speakers arranged inside pipes.

CONNECTED:

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