The thing is shot in a 21st Century Britain, but in Lear’s first appearance, his clothes evoke Stalin. That is a really interesting choice and a signal of his opening, brutal scene. Above, also Karl Johnson as the Fool.
Marker discusses cinema with technical confidence and a lucid, inclusive conception of its nature and relationship to the other arts. In his review of Henry V, he positions cinema as the inheritor and destiny of both theatre and painting, come …
This entry is part 1 of 1 in the series 30 Notes On THE TURIN HORSE30 Notes On THE TURIN HORSE30 Notes On THE TURIN HORSE (1 – 3)1. I was in Dundee for an event, and at dinner I …
People do not talk about this film enough. Is it too resistant to analysis because it is so much? Does it overwhelm the viewer, or drain the viewer? Does it defeat a close reading because it says everything? It’s a …
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here:
Cookie Policy