I’ve been revisiting Hugh Howey’s BEACON 23, which I got in its serial form – now it’s collected — and it was such an elegantly executed prose serial.
Entering autumn, slow cinema regains its place on the big (not that big) screen in my office, and I’m wrapped up again in the gorgeous 24 FRAMES, Abbas Kiarostami’s last film. I wrote a little about it here.
I’ve been listening to Sarah Davachi’s TWO SISTERS on a loop. Massive, immersive drone music with organic classical instruments.