Hell of a record. It’s like immersing yourself in a haunting. Depression, anxiety and ghosts – which, to me, are probably all the same thing anyway. The Halloween release was clever, but I suspect that if you played this loud at midnight you’d clear a room pretty fast. But it’s alive with energy, always transforming, poltergeisted by crepitation and parallel voices, constantly surprising. I really like it. It’s right up there with her previous, PASTORAL.