Mike Dempsey’s design work for the ENO and London Chamber Orchestra in the 1990s.
The return of Tech Singularity bullshit – this time, tied to the efficacy of machine translation.
Ten books that men love, apparently. Haven’t read any of them. Not even LONGITUDE, which I meant to but didn’t, so this is a note to self to see if I do have a copy in the house.
Wielding the fundamentals of set design, Layla May Arthur assembles elaborate architectural spaces and visual narratives from paper. The Netherlands-based artist focuses on the interplay between light and shadow in intricate, three-dimensional dioramas that emphasize storytelling in window displays, brand identities, and gallery presentations. In pieces ranging from delicate, individual sculptures of staircases to large-scale, immersive installations, she instills a sense that the viewer is a part of the interactions of figures within each scene.
