Inviting escapism through detailed, glacial textures, S.W.I.M. elevates a traditional beatless spectrum into a first-person narrative, moving across burning wastelands, miles-high sundown, a dizzying night sky, subterranean exploration, and more beautiful, natural phenomena. Subtle changes in tone and texture across each of the six environments provide a signal of the destination’s energy and the intended perception of the traveler. At times, elated and dwarfed by nature’s surrounding grandeur. Other times, bestowing a sense of apprehension and unknowing.
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February 2018: Big Cat Sanctuary in Kent, where I was taken for my fiftieth.
The hashtags mark it as “ritual” and “Indian,” but “ukujula” is a Zulu word for “depth.” It may be somewhere between Muslimgauze and the “Ethnological Forgery Series,” I don’t know. But it’s very much trance music, and very much a …
It’s not often I’ll find a bit of space-rock/post-rock that does it for me these days, but I could listen to this immense riff forever.
This has been sitting in my Bandcamp wishlist for a while, as a reminder to one day seek out the supposed 2CD release. I find something human and organic and timebound in electronic music of this era: the quality of …