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Tales for all time

Tales for all time

‘But Borges was not interested in the Norsemen’s warlike wanderings as much as he was in their writing. In the Icelandic sagas, Borges found “realism in its most perfect form”. Perhaps it was their lack of allegory that appealed to him, their accounts of daily details, or the dry understatement of saga heroes. He seems to love the scene in Grettir’s Saga when Atli, surprised at his door with a stab to the belly, quips that broad blades are in fashion these days.

“In the twelfth century, the Icelanders discovered the novel”, writes Borges, “and this discovery is as secret and sterile, for the economy of the world, as their discovery of America.”’

June 25, 2024 at 10:02PM

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Michael Wood · A Little Bit of Real Life: Writing with Godard

Michael Wood · A Little Bit of Real Life: Writing with Godard

“Proust and Godard, in Anna Shechtman’s words, become ‘the memory-writers of their respective generations’. Paul Valéry, to Ludovic Cortade, seems to have been eavesdropping on conversations in the Cahiers office when he asks (in 1928): ‘What should we be without the help of that which does not exist?’ And we may all be writing along with Godard when he asks Anne-Marie Miéville to read the following phrases from Charles Péguy’s Clio, evoked for us by Daniel Fairfax and subtitled ‘dialogue between history and the pagan soul’:

‘I need a day to write the history of a second. I need a year to write the history of a minute. I need a lifetime to write the history of an hour. I need an eternity to write the history of a day. One can do everything, except the history of what one does.’”

May 13, 2024 at 06:16PM

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