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Author: Warren Ellis

REPUBLIC: Yumna Al-Arashi

One of Yumna Al-Arashi’s newsletters popped up today. They’re irregular, but well worth the subscription click.

I’m stealing a quote from the new one:

For many years, I’ve been creating self-portraiture as a means, not only, for expressing myself, but also, to take ownership of my body when it so often feels as though it is not my own. There’s a need to claim women’s bodies and the act of using it as a tool for expression feels like an act of defiance.


Photography became my freedom. I could define myself, through all of my selves.  My decision to photograph myself was my most political act. I am presenting how I’d like to be seen to the world, on my own terms. I am protesting media’s representation of those like me. I am protesting identity in itself. 


The funny thing I’ve learned about identity is that it does not exist in one dimension. It is evolving, confused, colorful, nonsensical, and weird. It surely isn’t just a token. I could never fully explain Identity to you because it simply has no real weight. The more I feed into the notion of it, the less it makes sense. And so, I wonder why we always keep the question of identity at the forefront of our minds in the first place.


How can we fairly represent one another without exploiting each others mere humanity? I so often carry these questions with me through every project of mine, openly admitting that I do not have the answers. Reminding us all: what is most important is that we are asking them. 

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28mar19

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THE REPUBLIC OF NEWSLETTERS: Lemire, Mod

Graphic novelist Jeff Lemire returns to the Republic with a weekly newsletter, Tales From The Farm.

Craig Mod’s excellent RIDGELINE hits 12 issues, all nicely archived for you.

(My intent here is to actually try and remember to note down the newsletters I like, building a map of my personal region of the Republic. I also like that “The Republic of Newsletters” seems to have stuck with some people, the way Nabil Maynard’s “Isle of Blogging” stuck with me)

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NIGHT MUSIC: gaang_gangą_gangee tape

The hashtags mark it as “ritual” and “Indian,” but “ukujula” is a Zulu word for “depth.” It may be somewhere between Muslimgauze and the “Ethnological Forgery Series,” I don’t know. But it’s very much trance music, and very much a nice way to close out the day. It’s three American dollars on Bandcamp. And a good way to test the shortcode function on this WordPress install.

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Pictures Of The Old World

PICTURES OF THE OLD WORLD is brutal.

Honestly, I could have filled this post with nothing but screenshots from this amazing, beautiful, tender and staggeringly bleak film.

Shot in 1972 by Dusan Hanak and banned by the Czech government for its unrelenting documenting of grim rural poverty, this luminous restoration by Second Run DVD is a revelation. Often heartbreaking, sometimes charming – the toothless old man obsessed with the 1969 moon landing, who stuffs his jacket with related clippings, carefully taking them out and reading them with a magnifying glass, telling the camera all the Apollo trivia he knows like a lonely child eager to finally find an audience.

Parts of this film could have been shot in the late Middle Ages.  This is what back-to-the-land waiting-for-death uncivilisation looks like.  Pain, damage, unmitigated age, a man who’s literally lived on his knees for twenty-five years like an extra from HARD TO BE A GOD, and, over and over again, I repeat, waiting for death.

PICTURES OF THE OLD WORLD (UK) (US)  (or directly from Second Run DVD, not sure how international shipping works with them but you may prefer to try)

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26mar19

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SCAV: Morphing Clouds V

I’m fried today, so was glad to find something gentle (yet sonically complex in its textures) to start the day. Here we go again.

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22mar19

Gonna be a day. Have a weatherchicken.

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QUOTES: Premourning

On French speculative writing in the 1920s:

In a 2009 book called Future Tense, the Canadian historian Roxanne Panchasi describes a curious feeling pervading writing on the future in France from around this time. She calls it “premourning.”

…there persisted, she claims, “a nostalgic longing for French values and cultural phenomena that had not yet disappeared.”

From The Music of the Future by Robert Barry (UK) (US)

From that same book, more evidence for my thesis that James Bridle is a human superposition:

I had come to see a performance by the Tennessee-born artist Holly Herndon. She was billed as part of a digital arts festival called Némo. I had been intrigued by Herndon ever since her name came up in a Skype conversation I had with the artist and writer James Bridle earlier that same year.

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